Music used in this podcast:
- Kassel Jaeger, ‘Campo Del Cielo’, from Deltas (Editions Mego).
- Bernard Parmegiani, ‘Des mots et des sons’, from L’Oeuvre Musicale (INA-GRM).
- Robin Mackay, Field Recording from St Agnes beach, 12 May 2016 0930.
- TLAOTLON, ‘The Co-Domain’, from Natural Devices (World Memory Records).
- TCF, 05DB9F72A8B41C628A3C96228B5B03236F811664763E0AD816, from 415C47197f78e811feeb7862288306ec4137fd4ec3ded8b (Mute).
- Alfred Bregman and Pierre Ahad, ‘Apparent Continuity’, from Demonstrations of Auditory Scene Analysis: The Perceptual Organization of Sound (MIT).
- Main, ‘Firmament IV’, from Firmament (Beggars Banquet).
- Konstantin Raudive, Breakthrough, record accompanying the book Breakthrough: An Amazing Experiment in Electronic Communication with the Dead (Gerrards Cross: Colin Smythe, 1971).
- Giacinto Scelsi, ‘Quattro Pezzi per Orchestra’, from Chamber Works (edition rz).
- Pierre Schaeffer, ‘Étude aux objects (1) Objets exposés’, from L’oeuvre musicale (INA-GRM)
- Bram Arnold, field recording from End of the World Garden, 1 May 2016 0620.
- Gérard Grisey, Ensemble Recherche, Vortex Temporum (Accord).
Banner Image: Charles Avery, Sketch for an Archipelago.