Traces out the principal concepts and antiphilosophical influences present in Grelet’s great work of departure.
Skip to content
Maya B. Kronic (they/them) is a recrypted iteration of a philosopher, and is Head of Research and Development at the publisher Urbanomic, which aims to engender interdisciplinary thinking and production. The Agent, patient, and product of ongoing research project on gender hyperstition and cute accelerationism.
Maya has written and spoken on art and philosophy and has also worked with a number of artists developing cross-disciplinary projects, as well as translating innumerable essays and various book-length works of French philosophy.
Their research interests include: accelerationism, the ethics of intensity, subjectivity and the earth, the cute and the supernormal, deleuze and mathematics, and transphoria.
Available for editorial, proofreading, copy-editing, and translation (FR>EN) work, and commissions. Buy me a coffee.
- Accelerationism
- Architecture
- art
- CCRU
- Choreography
- Colour
- Contemporary Art
- cute
- Death
- Ecology
- Film
- Florian Hecker
- François Laruelle
- geophilosophy
- Geotrauma
- Gilles Châtelet
- Gilles Deleuze
- Hallucination
- Hyperchaos
- immaterials
- Interview
- Jean-François Lyotard
- John Gerrard
- Mark Fisher
- Mathematics
- music
- Nick Land
- Non-Philosophy
- number
- Painting
- Pamela Rosenkranz
- Perspective
- Philosophy
- Plot
- poetry
- politics
- Quentin Meillassoux
- Simulation
- Sound
- Stéphane Mallarmé
- Subjectivation
- Synthesis
- technology
- Theory-Fiction
- yarnwork