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Maya B. Kronic is a writer, translator, and editor.

She writes on philosophy, art, technology, and culture, is the founder-editor of independent UK publisher Urbanomic, and has worked with a number of artists developing cross-disciplinary projects, as well as translating innumerable essays and various book-length works of French philosophy by figures including Alain Badiou, Quentin Meillassoux, Éric Alliez, and François Laruelle.

Her research interests include: accelerationism, the ethics of intensity, subjectivity and the earth, the cute and the supernormal, Deleuze and mathematics, and transphoria.

She is the co-author, with Amy Ireland, of Cute Accelerationism (2023).

Streaming at https://twitch.tv/mayabkronic

Occasionally DJing as DJK Huysmans

She is available for editorial, proofreading, copy-editing, and translation (FR>EN) work, and commissions.

  • Writing
  • Translations
  • Audiovisual
  • Interviews
  • In Translation
  • Accelerationism
  • Architecture
  • art
  • CCRU
  • Choreography
  • Colour
  • Contemporary Art
  • cute
  • cuteness
  • Death
  • deleuze and guattari
  • Ecology
  • Film
  • Florian Hecker
  • François Laruelle
  • gender
  • Gilles Châtelet
  • Gilles Deleuze
  • Hallucination
  • History
  • Hyperchaos
  • immaterials
  • Interview
  • Jean-François Lyotard
  • John Gerrard
  • Mathematics
  • music
  • Nick Land
  • Non-Philosophy
  • number
  • Painting
  • Pamela Rosenkranz
  • Perspective
  • Philosophy
  • politics
  • Quentin Meillassoux
  • Sexuality
  • Simulation
  • Sound
  • Stéphane Mallarmé
  • Subjectivation
  • Synthesis
  • technology
  • Time
  • translation

Maya B. Kronic — Topic: Polyagogy

2012

Blackest Ever Black (With Florian Hecker and Russell Haswell)

On Iannis Xenakis and the UPIC.

deleuze and guattari, Florian Hecker, Gilles Deleuze, Iannis Xenakis, music, Polyagogy, Russell Haswell, Sound, timbre, UPIC