I don’t know who needs to hear this but…

Why is the system of Lemurian time-sorcery like a pistachio baklava?

Fashion, Neural Media, and Bodies

Adrenaline!!! Yeah!

They accelerate back onto the highway

Cuvier and Geoffroy redux

On the audio essay as medium and method

Essential Cute/Acc Background Lore

Portuguese translation of ‘Nick Land: An Experiment in Inhumanism’ by Clarice Pelotas

Text on faciality for Jake Chapman’s Book Pity is Treason

Here speaks the man of the masts and sails

a trans-Lacanian-Duchampian delirium

Stay Locked

Art is ‘wasted energy’

Serialising the Readyconsumed

On the relevance of Anne-Françoise Schmid’s concept of the Integrative Object for contemporary art

On the musical pedagogy of Eliane Radigue

The essential tools of the detective and the therapist alike are the scalpel and the compass

On living under the threat of apocalypse.

Text for the book documenting Pamela Rosenkranz’s installation ‘Our Product’ for the 2016 Venice Biennale.

Eulogy for Mark Fisher

On Florian Hecker’s abstract opera FAVN.

Some notes on the collaboration for BBC Radio 3

Talk given at Continuous Verb, MMCA, Seoul, 28 October 2016.

Libretto for Florian Hecker’s abstract opera

Talk on the humanities and interdisciplinarity

Catalogue text for John Gerrard: Power Play, Beijing, 2016

On the various relations between art, philosophy, and contemporary disquiet (in French)

Sleevenotes for Mattin and Miguel Prado’s ‘Evacuation of the Voice’, on subjectivation, sound, and the voice

On the work of artist Charles Avery.

Text for Steven Warwick’s show ‘Neutral’, Exile, Berlin, 2016.

Preview programme notes for Florian Hecker’s FAVN (in German & English)

An introduction to the methodological and conceptual stakes of Alliez’s studies of modern painting

Talk given in Porto on the occasion of Florian Hecker’s ‘Formulations’ show.

On Amanda Beech’s 2013 video work

Presentation on choreography and the digital, B3 Biennial of the Moving Image in Frankfurt

Talk given at Goldsmiths, as part of the ‘Futures and Fictions’ series

On the work of painter Andy Harper

On Lyotard’s exhibition ‘Les Immatériaux’

Talk on Florian Hecker given at Graz Kunstlerhaus

Collaborative text with Pamela Rosenkranz to accompany her work for the Swiss Pavilion, Venice Biennale 2015.

On geotraumatics, the local, the global, and the site-specific

Talk on Lyotard’s Les Immatériaux

Ferenczi and the aestheme

Reflections on art and speculative realism

Talking Dogs, Debord, and Nathan Barley

Cerith Wyn Evans and Florian Hecker’s No night no day (Venice 2009)

Accompanying text for Florian Hecker and Reza Negarestani’s C.D.—A Script for Synthesis

Turborealism, cosmism, locusts, and forest gardens: The work of artist Paul Chaney

Between biology, cognition, and abduction

Communiqué from a post-apocalyptic Cornwall

On John Gerrard’s 2013 simulation work

Channelling Beech’s mash-up of epistemology and noir

On the various philosophical concepts of the cut

On Iannis Xenakis and the UPIC.

On the work of Pamela Rosenkranz

Public talk around the concept of skin

Presentation on Laruelle and the work of Pamela Rosenkranz, at Pavilion, Leeds

Simon Starling, the readymade, and the made-ready

Going back to the murky sources of geotraumatic thought

Freie Universität Berlin, April 2012

Memoir of Nick Land and Peak Warwick

Response to François Laruelle’s presentation at Goldsmiths

Research paper for John Gerrard during the development of his Pulp Press (Kistefos) 2013.

Talk on architecture and geophilosophy for the Proto/Eco/Logics conference

Study of ecological meshwork

Programme notes for the John Gerrard and Wayne McGregor’s Royal Ballet performance Live Fire Exercise

Talk on Laruelle and Althusser

Text for Florian Hecker’s CD Speculative Solution.

Conversation with artist Charles Avery

Essay on the minimalism, precisionism, and realism in the work of John Gerrard

On the prehistory of FIELDCLUB

On the prehistory of FIELDCLUB

Essay on psychoacoustics and hallucination in the work of Florian Hecker

Unpublished text on John Gerrard’s Infinite Freedom Exercise (Near Abadan, Iran), 2011.

Short text on friendship in Michael Mann’s Heat

Collaborative text with Amanda Beech on death, the image, and power

Talk on the work of artist Pamela Rosenkranz

Adorno meets Lovecraft in a portmanteau tale of terror

Essay on the work of artist Conrad Shawcross

Aphex Twin and Florian Hecker’s performance at Warp 20

Unpublished theory-fiction based on the work of Charles Avery

Sleevenotes for Florian Hecker’s CD Acid in the Style of David Tudor

Essay on the work of artist Conrad Shawcross

On the work of artist Paul Chaney

On Tim Mackenzie’s ecocritical video work

Review of Ray Brassier’s book ‘Nihil Unbound: Enlightenment and Extinction’

On the work of artist Kristen Alvanson

Essay on the work of Jake and Dinos Chapman

A radical theory-fictional critique of eco-aesthetics

Review of a book on the art and craft of VJing

Notes on the prehistory of Quentin Meillassoux’s thinking on contingency

Response to Reza Negarestani’s presentation on decay at Goldsmiths in 2006

It is not clear whether all men are of the same species or not

A brief talk regarding Badiou’s reading of Mallarmé in Being and Event

Synthetic photo-essay on the city and its fictions

Portrait of Classic Cafés connoisseur Adrian Maddox

The potency of cheap song

Specification for a maximally abstracted gamespace

Investigations into the I Ching

On Gödel coding, Gregory Chaitin’s Omega Constant, and other matters

Tribute to the sounds of Space Invaders

Some reflections on the paintings of George Shaw

Theory-fiction exploring the life and work of painter Francis Bacon

An early essay in delirious junglist schizoanalysis

Tirade against the popular postmodernism of the 90s

Entertainment goes hormonal, bacterial, viral, genetic…give the kids what they want